A squirrel eats

An evening with a forest guard

I was hesitant to go there on a bike- alone. But when two more bikes agreed to ride along, I couldn’t resist but make the trip. It was one of those trips that you yearn to go on, but you’re not exactly enjoying the place coz you’re unaware of the dangers that might lay ahead, and when you return home you feel like the KING of adventures and you vow that you’ll never have such adventures again. It passes on and the next weekend you feel like going there again!  😉

I am not supposed to give specifics of this place (told not to). Makes enough sense considering the amount of people who would be willing to jump in to this place to sip beer! No, that’s not what this place is meant for.

So we drove when the sun was right on top of our shoulders, making every effort to tire us, and it did succeed to an extent. The silence of this place was broken by the occasional crying of wild animals, mostly elephants, and of course our bikes 🙂

Playing during sunset.

We reached the place, had a car waiting to pick us up to a point from where we had to do a little trek. The humpty-dumpty drive in the car helped us digest the heavy lunch we had had. A full-meal before a trek? Hmm, you’re up for some real adventure!

We reached the spot, and had a small trek until the forest-guard tower. The guards were finishing their shifts and leaving to go to their villages. As usual, we started chatting up and what we thought would end in fifteen minutes lasted for more than an hour. It felt like we were in the most silent, and a peaceful place on Earth, & talking to a man who had met danger eye-to-eye.

Forest duty is dangerous and difficult one. They have to watch-out for wild animals, forest fires, poachers, hunters, etc. And to get any supply (of whatever), they need to walk for at-least 5km (not a joke). It is sad that the govt doesn’t even provide them with clean water here. They drink the same water that the animals drink and bathe, which was so muddy and you wouldn’t even imagine to clean your hands with it. They have very minimal protection, added to this – a very meager salary.

All they have is a cell-phone to reach out to the external world, which is wholly dependent on one single tower! The talk ended, the sun set, and we were ready to leave the place. I muttered “Man, there’s a whole lot of elephant corridor to be crossed in our bikes!” and with nothing for self-defence, no street (forest) lights, or elephant experience, these were the things racing in my mind. My friend said “I’m there, let’s make it”. Even though I knew he’ll piss in his pants I mustered my confidence, said ok and without a turn or hesitation drove fast without other thoughts. Some intense biking 😛

Reached the main road in sometime. Whoa! What a relief after looking at the road lights! Never was I so happy looking at a main road 😉

Wings of Poesy

— Update 2019: Thanks to your comments, I managed to log in after 7 years and add The Walrus and the Carpenter and The Forsaken Merman for everyone to read —

For generations, people have thought poetry to be a bunch of Rhyming verses, placed vertically. But in realty, there’s more to poetry than what you think. So ever since I read somewhere that March 21st is “World poetry day” I’ve been wanting to write this.

Wordsworth defined poetry as “the spontaneous overflow of powerful feelings;” Emily Dickinson said, “If I read a book and it makes my body so cold no fire ever can warm me, I know that is poetry;”

Poetry is evocative. It typically evokes in the reader an intense emotion: joy, sorrow, anger, catharsis, love… Alternatively, poetry has the ability to surprise the reader with an Ah Ha! Experience — revelation, insight, further understanding of elemental truth and beauty.

Poetry is stronger than you think. Poetry is imagination and will break those chains faster than the time time you take to think and react.

“Wings of poesy” was my prescribed text book for class 10, and if you’d have done ICSE between the years, 2001 to 2006 / 07 you’d know what I’m talking about. For others, it was a book containing a collection of poems. I don’t remember how many poems were in it (as my aunt who fell in love with my text book after my schooling, misplaced it- and it was never found, or has my aunt hidden it?? 😛 ). I had meanings written after every verse, sad I lost it 😦

Teachers are people who make a subject interesting, & who influence in making you like a subject. I’ve always found this to be true, and many would agree. My English teacher was splendid. Her class used to be a journey and not just a class, which I realize now! And you can probably say that she was the one who strengthened this interest in me.

Though some years have been passed since I completed my schooling, some things, some subjects, some lessons, something, anything that would have caught your eye at that age is almost permanently etched in your mind. One of those things for me is definitely Wings of Poesy. I will not hesitate to say that I remember some of those verses and can recall them almost in an instant. On the other side, I can say I’ve forgotten Chemistry totally and please, not that my teacher was bad at teaching it :P, but simply because it didn’t appeal to me.

I have managed to collect some of my favorite poems from School, thanks to google! And I have put them up here.

1. The Education of Nature

THREE years she grew in sun and shower;
Then Nature said, “A lovelier flower
On earth was never sown:
This child I to myself will take;
She shall be mine, and I will make
A lady of my own.

“Myself will to my darling be
Both law and impulse; and with me
The girl, in rock and plain,
In earth and heaven, in glade and bower,
Shall feel an overseeing power
To kindle or restrain.

“She shall be sportive as the fawn
That wild with glee across the lawn
Or up the mountain springs;
And hers shall be the breathing balm,
And hers the silence and the calm
Of mute insensate things.

“The floating clouds their state shall lend
To her; for her the willow bend;
Nor shall she fail to see
Ev’n in the motions of the storm
Grace that shall mould the maiden’s form
By silent sympathy.

“The stars of midnight shall be dear
To her; and she shall lean her ear
In many a secret place,
Where rivulets dance their wayward round,
And beauty born of murmuring sound
Shall pass into her face.

“And vital feelings of delight
Shall rear her form to stately height,
Her virgin bosom swell;
Such thoughts to Lucy I will give,
While she and I together live
Here in this happy dell.”

Thus Nature spake—the work was done—
How soon my Lucy’s race was run!
She died, and left to me
This heath, this calm and quiet scene;
The memory of what has been,
And never more will be.

-William Wordsworth

2. Upagupta

Upagupta, the disciple of Buddha, lay sleep in
the dust by the city wall of Mathura.
Lamps were all out, doors were all shut, and
stars were all hidden by the murky sky of August.
Whose feet were those tinkling with anklets,
touching his breast of a sudden?
He woke up startled, and a light from a woman’s
lamp fell on his forgiving eyes.
It was dancing girl, starred with jewels,
Wearing a pale blue mantle, drunk with the wine
of her youth.
She lowered her lamp and saw young face
austerely beautiful.
“Forgive me, young ascetic,” said the woman,
“Graciously come to my house. The dusty earth
is not fit bed for you.”
The young ascetic answered, “Woman,
go on your way;
When the time is ripe I will come to you.”
Suddenly the black night showed its teeth
in a flash of lightening.
The storm growled from the corner of the sky, and
The woman trembled in fear of some unknown danger.

A year has not yet passed.
It was evening of a day in April,
in spring season.
The branches of the way side trees were full of blossom.
Gay notes of a flute came floating in the
warm spring air from a far.
The citizens had gone to the woods for the
festival of flowers.
From the mid sky gazed the full moon on the
shadows of the silent town.
The young ascetic was walking along the lonely street,
While overhead the love-sick koels uttered from the
mango branches their sleepless plaint.
Upagupta passed through the city gates, and
stood at the base of the rampart.
Was that a woman lying at his feet in the
shadow of the mango grove?
Stuck with black prestilence, her body
spotted with sores of small-pox,
She had been hurriedly removed from the town
To avoid her poisonous contagion.
The ascetic sat by her side, took her head
on his knees,
And moistened her lips with water, and
smeared her body with sandal balm.
“Who are you, merciful one?” asked the woman.
“The time, at last, has come to visit you, and
I am here,” replied the young ascetic.

-Rabindranath Tagore

3. The Man with a Hoe

Bowed by the weight of centuries he leans
Upon his hoe and gazes on the ground,
The emptiness of ages in his face,
And on his back, the burden of the world.
Who made him dead to rapture and despair,
A thing that grieves not and that never hopes,
Stolid and stunned, a brother to the ox?
Who loosened and let down this brutal jaw?
Whose was the hand that slanted back this brow?
Whose breath blew out the light within this brain?

Is this the Thing the Lord God made and gave
To have dominion over sea and land;
To trace the stars and search the heavens for power;
To feel the passion of Eternity?
Is this the dream He dreamed who shaped the suns
And marked their ways upon the ancient deep?
Down all the caverns of Hell to their last gulf
There is no shape more terrible than this–
More tongued with cries against the world’s blind greed–
More filled with signs and portents for the soul–
More packed with danger to the universe.

What gulfs between him and the seraphim!
Slave of the wheel of labor, what to him
Are Plato and the swing of the Pleiades?
What the long reaches of the peaks of song,
The rift of dawn, the reddening of the rose?
Through this dread shape the suffering ages look;
Time’s tragedy is in that aching stoop;
Through this dread shape humanity betrayed,
Plundered, profaned and disinherited,
Cries protest to the Powers that made the world,
A protest that is also prophecy.

O masters, lords and rulers in all lands,
Is this the handiwork you give to God,
This monstrous thing distorted and soul-quenched?
How will you ever straighten up this shape;
Touch it again with immortality;
Give back the upward looking and the light;
Rebuild in it the music and the dream;
Make right the immemorial infamies,
Perfidious wrongs, immedicable woes?

O masters, lords and rulers in all lands,
How will the future reckon with this Man?
How answer his brute question in that hour
When whirlwinds of rebellion shake all shores?
How will it be with kingdoms and with kings–
With those who shaped him to the thing he is–
When this dumb Terror shall rise to judge the world,
After the silence of the centuries?

-Edwin Markham (He was inspired by a painting by a french artist to write this poem)

4. The Eve Of Waterloo

HERE was a sound of revelry by night,

And Belgium’s capital had gathered then

Her beauty and her chivalry, and bright

The lamps shone o’er fair women and brave men.

A thousand hearts beat happily; and when

Music arose with its voluptuous swell,

Soft eyes looked love to eyes which spake again,

And all went merry as a marriage bell;

But hush! hark! a deep sound strikes like a rising knell!

Did ye not hear it? — No; ’twas but the wind,

Or the car rattling o’er the stony street;

On with the dance! let joy be unconfined;

No sleep till morn, when youth and pleasure meet

To chase the glowing hours with flying feet.

But hark! — that heavy sound breaks in once more,

As if the clouds its echo would repeat;

And nearer, clearer, deadlier than before;

Arm! arm! it is — it is — the cannon’s opening roar!

Within a windowed niche of that high hall

Sate Brunswick’s fated chieftain; he did hear

That sound the first amidst the festival,

And caught its tone with death’s prophetic ear;

And when they smiled because he deemed it near,

His heart more truly knew that peal too well

Which stretched his father on a bloody bier,

And roused the vengeance blood alone could quell;

He rushed into the field, and, foremost fighting, fell.

Ah! then and there was hurrying to and fro,

And gathering tears, and tremblings of distress,

And cheeks all pale, which, but an hour ago,

Blushed at the praise of their own loveliness.

And there were sudden partings, such as press

The life from out young hearts, and choking sighs

Which ne’er might be repeated; who would guess

If ever more should meet those mutual eyes,

Since upon night so sweet such awful morn could rise!

And there was mounting in hot haste; the steed,

The mustering squadron, and the clattering car,

Went pouring forward with impetuous speed,

And swiftly forming in the ranks of war;

And the deep thunder, peal on peal afar;

And near, the beat of the alarming drum

Roused up the soldier ere the morning star;

While thronged the citizens with terror dumb,

Or whispering, with white lips — “The foe! they come! they come!”

-Lord Byron

(It relates the events of the night before the battle of Quatre Bras, which was fought near Brussels, the capital of Belgium, on June 16, 1815, and was the preliminary of the great battle of Waterloo, fought two days later.)

A word before my next poem. It is one of Shakespeare’s Sonnet.

Before Shakespeare’s day, the word “sonnet” meant simply “little song,” i.e., a short lyric poem. A Shakespearean, or English, sonnet consists of 14 lines, each line containing ten syllables.

5. Sonnet 116

(I’m unsure if I read this in my school or college, but it is good enough to be written here)

Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth’s unknown, although his height be taken.
Love’s not Time’s fool, though rosy lips and cheeks
Within his bending sickle’s compass come:
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.

-William Shakespeare

6. The Walrus and the Carpenter by Lewis Carroll

The sun was shining on the sea,
Shining with all his might:
He did his very best to make
The billows smooth and bright—
And this was odd, because it was
The middle of the night.The moon was shining sulkily,
Because she thought the sun
Had got no business to be there
After the day was done—
“It’s very rude of him,” she said,
“To come and spoil the fun!”

The sea was wet as wet could be,
The sands were dry as dry.
You could not see a cloud because
No cloud was in the sky:
No birds were flying overhead—
There were no birds to fly.

The Walrus and the Carpenter
Were walking close at hand:
They wept like anything to see
Such quantities of sand:
“If this were only cleared away,”
They said, “it would be grand!”

“If seven maids with seven mops
Swept it for half a year,
Do you suppose,” the Walrus said,
“That they could get it clear?”
“I doubt it,” said the Carpenter,
And shed a bitter tear.

“0 Oysters, come and walk with us!”
The Walrus did beseech.
“A pleasant walk, a pleasant talk,
Along the briny beach:
We cannot do with more than four,
To give a hand to each.”

The eldest Oyster looked at him,
But never a word he said;
The eldest Oyster winked his eye,
And shook his heavy head—
Meaning to say he did not choose
To leave the oyster-bed.

But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat—
And this was odd, because, you know,
They hadn’t any feet.

Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more and more and more—
All hopping through the frothy waves,
And scrambling to the shore.

The Walrus and the Carpenter
Walked on a mile or so,
And then they rested on a rock
Conveniently low:
And all the little Oysters stood
And waited in a row.

“The time has come,” the Walrus said,
“To talk of many things:
Of shoes—and ships—and sealing-wax—
Of cabbages—and kings—
And why the sea is boiling hot—
And whether pigs have wings.”

“But wait a bit,” the Oysters cried,
“Before we have our chat;
For some of us are out of breath,
And all of us are fat!”
“No hurry!” said the Carpenter.
They thanked him much for that.

“A loaf of bread,” the Walrus said,
“Is what we chiefly need:
Pepper and vinegar besides
Are very good indeed—
Now, if you’re ready, Oysters dear,
We can begin to feed.”

“But not on us!” the Oysters cried,
Turning a little blue.
“After such kindness, that would be
A dismal thing to do!”
“The night is fine,” the Walrus said,
“Do you admire the view?

“It was so kind of you to come!
And you are very nice!”
The Carpenter said nothing but
“Cut us another slice.
I wish you were not quite so deaf—
I’ve had to ask you twice!”

“It seems a shame,” the Walrus said,
“To play them such a trick.
After we’ve brought them out so far,
And made them trot so quick!”
The Carpenter said nothing but
“The butter’s spread too thick!”

“I weep for you,” the Walrus said:
“I deeply sympathize.”
With sobs and tears he sorted out
Those of the largest size,
Holding his pocket-handkerchief
Before his streaming eyes.

“0 Oysters,” said the Carpenter,
“You’ve had a pleasant run!
Shall we be trotting home again?”
But answer came there none—
And this was scarcely odd, because
They’d eaten every one.

The Forsaken Merman by Matthew Arnold

Come, dear children, let us away;
Down and away below!
Now my brothers call from the bay,
Now the great winds shoreward blow,
Now the salt tides seaward flow;
Now the wild white horses play,
Champ and chafe and toss in the spray.
Children dear, let us away!
This way, this way!

Call her once before you go—
Call once yet!
In a voice that she will know:
“Margaret! Margaret!”
Children’s voices should be dear
(Call once more) to a mother’s ear;

Children’s voices, wild with pain—
Surely she will come again!
Call her once and come away;
This way, this way!
“Mother dear, we cannot stay!
The wild white horses foam and fret.”
Margaret! Margaret!

Come, dear children, come away down;
Call no more!
One last look at the white-wall’d town
And the little grey church on the windy shore,
Then come down!
She will not come though you call all day;
Come away, come away!

Children dear, was it yesterday
We heard the sweet bells over the bay?
In the caverns where we lay,
Through the surf and through the swell,
The far-off sound of a silver bell?
Sand-strewn caverns, cool and deep,
Where the winds are all asleep;
Where the spent lights quiver and gleam,
Where the salt weed sways in the stream,
Where the sea-beasts, ranged all round,
Feed in the ooze of their pasture-ground;
Where the sea-snakes coil and twine,
Dry their mail and bask in the brine;
Where great whales come sailing by,
Sail and sail, with unshut eye,
Round the world for ever and aye?
When did music come this way?
Children dear, was it yesterday?

Children dear, was it yesterday
(Call yet once) that she went away?
Once she sate with you and me,
On a red gold throne in the heart of the sea,
And the youngest sate on her knee.
She comb’d its bright hair, and she tended it well,
When down swung the sound of a far-off bell.
She sigh’d, she look’d up through the clear green sea;
She said: “I must go, to my kinsfolk pray
In the little grey church on the shore to-day.
‘T will be Easter-time in the world—ah me!
And I lose my poor soul, Merman! here with thee.”
I said: “Go up, dear heart, through the waves;
Say thy prayer, and come back to the kind sea-caves!”
She smiled, she went up through the surf in the bay.
Children dear, was it yesterday?

Children dear, were we long alone?
“The sea grows stormy, the little ones moan;
Long prayers,” I said, “in the world they say;
Come!” I said; and we rose through the surf in the bay.
We went up the beach, by the sandy down
Where the sea-stocks bloom, to the white-wall’d town;
Through the narrow paved streets, where all was still,
To the little grey church on the windy hill.
From the church came a murmur of folk at their prayers,
But we stood without in the cold blowing airs.
We climb’d on the graves, on the stones worn with rains,
And we gazed up the aisle through the small leaded panes.
She sate by the pillar; we saw her clear:
“Margaret, hist! come quick, we are here!
Dear heart,” I said, “we are long alone;
The sea grows stormy, the little ones moan.”
But, ah, she gave me never a look,
For her eyes were seal’d to the holy book!
Loud prays the priest; shut stands the door.
Come away, children, call no more!
Come away, come down, call no more!

Down, down, down!
Down to the depths of the sea!
She sits at her wheel in the humming town,
Singing most joyfully.
Hark what she sings: “O joy, O joy,
For the humming street, and the child with its toy!
For the priest, and the bell, and the holy well;
For the wheel where I spun,
And the blessed light of the sun!”
And so she sings her fill,
Singing most joyfully,
Till the spindle drops from her hand,
And the whizzing wheel stands still.
She steals to the window, and looks at the sand,
And over the sand at the sea;
And her eyes are set in a stare;
And anon there breaks a sigh,
And anon there drops a tear,
From a sorrow-clouded eye,
And a heart sorrow-laden,
A long, long sigh;
For the cold strange eyes of a little Mermaiden
And the gleam of her golden hair.

Come away, away children
Come children, come down!
The hoarse wind blows coldly;
Lights shine in the town.
She will start from her slumber
When gusts shake the door;
She will hear the winds howling,
Will hear the waves roar.
We shall see, while above us
The waves roar and whirl,
A ceiling of amber,
A pavement of pearl.
Singing: “Here came a mortal,
But faithless was she!
And alone dwell for ever
The kings of the sea.”

But, children, at midnight,
When soft the winds blow,
When clear falls the moonlight,
When spring-tides are low;
When sweet airs come seaward
From heaths starr’d with broom,
And high rocks throw mildly
On the blanch’d sands a gloom;
Up the still, glistening beaches,
Up the creeks we will hie,
Over banks of bright seaweed
The ebb-tide leaves dry.
We will gaze, from the sand-hills,
At the white, sleeping town;
At the church on the hill-side—
And then come back down.
Singing: “There dwells a loved one,
But cruel is she!
She left lonely for ever
The kings of the sea.”